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However, one of the main ways in which the 2022 Queer as Folk differs is that it offers a much more emotional and somewhat triggering plotline from the get-go. This adaptation offers so many perspectives that the previous versions failed to highlight. In this version, we see characters who are queer and Black, queer and disabled, queer and fat and so much more. It's refreshing to hear Ruthie talk about openly being trans, or to see Shar addressed with they/them pronouns without anyone ever questioning it. However, this new Queer as Folk feels much fresher and more encompassing of the entire queer community. The first episode emulates many of the original plotlines of the British and American versions before it, including the cocky, hypersexual protagonist at its center, a couple welcoming a baby thanks to the help of a donor, a teen sneaking into a club in an effort to find themself and more. While we watch the tension of this love triangle unfold, we also follow the narratives of Brodie's brother, Julian (Ryan O'Connell), his best friend Ruthie (Jesse James Keitel) and her partner, Shar (Candace Grace), as well as a 17-year-old aspiring drag star named Mingus (Fin Argus). However, things get complicated when it's revealed that one of Brodie's best friends, Daddius (Chris Renfro), has been hooking up with Noah in his absence. Peacock's remake follows Brodie (Devin Way), a pompous but charming twentysomething who returns to his hometown of New Orleans after dropping out of med school, hoping to rekindle past relationships, like that with his ex-boyfriend, Noah (Johnny Sibilly).
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Keep reading for a full review from someone who loved the first American adaption of Queer as Folk. For a show that was revolutionary, why not give those cringeworthy aspects a face lift in a time where companies are scrambling to cover their products in rainbows every June? And for the most part, the new Queer as Folk succeeds, with a winning cast, emotional complexity and more (if only they had left one plot point in the past).
And while it feels like we've been getting remakes ad nauseam these days, Queer as Folk feels like the perfect choice.
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So, while the show certainly had its flaws, it undeniably changed the landscape of American television for the better.įlash forward to 2022 and Queer as Folk is getting adapted yet again, in a new series from Peacock. Its characters were funny, smart, sexy and they didn't cater to straight people (and the writers didn't cater to a straight audience).
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It was the first TV show to simulate gay sex on American TV, it was one of the first shows to depict a character living with HIV/AIDS and it highlighted issues of adoption, marriage, violence and more within the LGBTQ+ community that had practically been nonexistent in U.S. Davies’s short-lived British series was also a landmark for American television. Yet, I also learned the many ways in which this reboot of Russell T.
For instance, the main cast was entirely white (as were most of their romantic partners), the gay mens’ perception of the lesbians on the show was often problematic and there was also an uncomfortably inappropriate age gap between two of the main characters. However, having found the show nearly two decades after it was first released, I was able to recognize the ways in which it hadn't aged perfectly. It was a dream come true (and I watched as many episodes as I could that night before passing out from exhaustion). So, you could imagine my surprise when I stumbled upon this turn-of-the-millennium Showtime series that focused on a group of unapologetically queer men and women in Pittsburgh, PA, who were clubbing, doing hard drugs and having graphic sex in nearly every episode. I grew up in the era of Glee and Pretty Little Liars, a unique moment in television where mainstream networks slowly started to accept queer stories, albeit always relegating them to the side. The first time I discovered the American version of Queer as Folk (2000), I was in college, desperately scrolling through every streaming service I had, hoping to find something to satiate my hunger for gay TV.